Miles Davis – Kind of Blue – Album
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Miles Davis

Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz.Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the Birth of the Cool sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Miles Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract with Columbia Records and recorded the album 'Round About Midnight in 1955. It was his first work with saxophonist John Coltrane and bassist Paul Chambers, key members of the sextet he led into the early 1960s. During this period, he alternated between orchestral jazz collaborations with arranger Gil Evans, such as the Spanish music-influenced Sketches of Spain (1960), and band recordings, such as Milestones (1958) and Kind of Blue (1959). The latter recording remains one of the most popular jazz albums of all time, having sold over five million copies in the U.S. Davis made several line-up changes while recording Someday My Prince Will Come (1961), his 1961 Blackhawk concerts, and Seven Steps to Heaven (1963), another mainstream success that introduced bassist Ron Carter, pianist Herbie Hancock, and drummer Tony Williams.

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Cookin' with the Miles Davis Quintet

Cookin' with the Miles Davis Quintet is an album recorded in 1956 by the Miles Davis Quintet in Rudy Van Gelder's studio in Hackensack, New Jersey, and released in July 1957. As the musicians had to pay for the studio time (a result of a rather modest contract with Prestige), their recordings are practically live. Two sessions 11 May 1956 and 26 October in the same year resulted in four albums—this one, Relaxin' with the Miles Davis Quintet, Steamin' with the Miles Davis Quintet and Workin' with the Miles Davis Quintet. It was the first of the four LPs to be released. In response to the album title, Davis said, "After all, that's what we did—came in and cooked".The album was originally released on CD in the U.S. in 1987, and it was remastered for CD most recently by Rudy Van Gelder again in 2006 for Prestige Records. Reid Miles designed the album's cover and Phil Hays provided the illustration.

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E.S.P. (Miles Davis album)

E.S.P. (Extra Sensory Perception) is an album by Miles Davis, recorded on January 20–22, 1965 and released on August 16 of that year by Columbia Records. It is the first release from what is known as Davis's second great quintet: Davis on trumpet, Wayne Shorter on tenor saxophone, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums. The album was named after a tune by Shorter, and was inspired by the fact that, "since Wayne Shorter's arrival, the five members of the quintet seemed to communicate by mental telepathy."The album represented a departure from Davis's previous recordings in that it does not include any ballads or standards. Davis contributed one composition ("Agitation", which the quintet would often play live, as they did at the Plugged Nickel dates later that year), and co-wrote two pieces with Carter ("Eighty-One" and "Mood"). Carter also contributed "R.J.", while Hancock was represented by "Little One", which would appear on his album Maiden Voyage, recorded roughly two months later. Shorter, having been told to "bring the book" (referring to his growing book of original compositions), is credited for the title track and "Iris". Originally, the rights to the title track were shared between Davis and Shorter, but Davis returned all the rights in later years.A number of the pieces on the album challenge standard 32-measure forms: "Mood", for example, has a 13-bar form, while "R.J." is 19 bars in length. All of the pieces were either modified by Davis or collectively reworked by the group at the session. Hancock recalled how Davis approached "Eighty-One": "Miles took the first two bars of melody notes and squished them together, and he took out other areas to leave a big space that only the rhythm section would play. To me, it sounded like getting to the essence of the composition.

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Miles Davis at Fillmore

Miles Davis at Fillmore is a 1970 live album by jazz trumpeter Miles Davis and band, recorded at the Fillmore East, New York City on four consecutive days, June 17 through June 20, 1970, originally released as a double vinyl LP. The performances featured the double keyboard set-up Davis toured with for a few months, with Keith Jarrett and Chick Corea playing electronic organ and Fender Rhodes electric piano, respectively. The group opened for Laura Nyro at these performances.Compositions include, besides the standard "I Fall in Love Too Easily", tracks from his fusion studio albums Bitches Brew and In A Silent Way. The live performances were heavily edited by producer Teo Macero, and the results were named for the day of the week the band performed; only on the 1997 Columbia CD reissue were the compositions and composers identified and indexed. Promotional LP copies divided the sides into short individually titled pieces, but still did not identify the original compositions and composers.On March 25, 2014, the full recordings of the performances were issued as Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3.

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Miles Davis discography

This is an incomplete list, which will never be able to satisfy particular standards for completeness as it excludes bootlegs, mix tapes and other minor records by independent labels and unofficial sources. Miles Davis was an American trumpeter, bandleader and musical composer. His major (without bootlegs, etc.) discography consists of at least 61 studio albums, 39 live albums, 46 compilation albums, 26 box sets, 4 soundtrack albums, 57 singles and 3 remix albums. Davis' initial appearances on record were mainly as a member of bebop saxophonist Charlie Parker's quintet from 1944 through 1947 and released on the Savoy label. Davis made his debut as a leader in the 1947 sessions featuring Parker, pianist John Lewis, bassist Nelson Boyd and drummer Max Roach. Prestige Records released Davis' debut album, The New Sounds, in 1951. He recorded many studio albums under the Prestige label from 1951 through 1956, as well as Blue Moods, issued by Debut Records in 1955, and three sessions for Blue Note Records. The earliest Davis music released was recorded from April 4, 1945 through August 14, 1947, and reissued in CD format by Savoy Records under the title First Miles. From 1949 through 1950, Davis recorded twelve tunes with a nonet consisting of other noted jazz musicians including arranger Gil Evans, Gerry Mulligan, Lee Konitz, John Lewis, Max Roach and Kenny Clarke. The arrangements for that group were scored for instruments rarely used in jazz such as French horn and tuba.

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Workin' with the Miles Davis Quintet

Workin' with the Miles Davis Quintet is a studio album by the Miles Davis quintet recorded in 1956 and released circa January 1960. Two sessions on May 11, 1956 and October 26 in the same year resulted in four albums—this one, Relaxin' with the Miles Davis Quintet, Steamin' with the Miles Davis Quintet and Cookin' with the Miles Davis Quintet. Track 2 is a composition written for Davis by Eddie Vinson (see Blue Haze for more details). "Trane's Blues" (also known as "Vierd Blues", a tongue-in-cheek reference to Blue Note founder Francis Wolff's heavily accented verdict on it), also credited to Davis, is in fact a John Coltrane composition (originally titled "John Paul Jones", and from an earlier session led by bassist Paul Chambers; before the closing statement of theme, Coltrane and Davis play a bit of Charlie Parker's "The Hymn").

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